This design allows users to introduce symbolic
narratives and beliefs into their homes, echoing
the tradition of storytelling found in kilim designs.
Western modernism prioritizes minimalism
and mass production, while non-Western modernism
merges modernist principles with local materials
and craft to express cultural identity. With this design,
I question whether cultural meaning can survive
within modernist designs, or if the two inevitably conflict.
narratives and beliefs into their homes, echoing
the tradition of storytelling found in kilim designs.
Western modernism prioritizes minimalism
and mass production, while non-Western modernism
merges modernist principles with local materials
and craft to express cultural identity. With this design,
I question whether cultural meaning can survive
within modernist designs, or if the two inevitably conflict.
In Türkiye weaving dates back to ancient ages
and is still a big part of the culture. It was used
during the production of several things such
as towels, handkerchiefs and rugs. The rugs
made with the weaving technique is called a
“Kilim” rug. Kilims were much more than just
decorative items.
From the protection-seeking "evil eye" to
different geometric depictions of natural elements
that stand for fertility, joy, and safety, every motif
woven into a Turkish kilim has significance. Kilim
rugs, which stand for protection and good fortune,
were frequently presented as presents to
commemorate marriages, births, and other
important life events.